dark pounding 4 track french techno

ultra harder pounding techno monster

pounding filtered 3 track techno ep

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

ultraphat 2track ep with pounding techno / minimal (played by sven väth!!)

fans ot the jackin techno/house sound, as well as the deeper heads will be shure to welcome this 5 track burner. the a side delivers an idle threat a deep pounding detroitesque techno workout that builds and builds, until it reaches its acidic climax. this is a track you definatily would want to drop a the peak time of your set

pounding percussive chicago styled tech tracks // relief style

quirky pounding acid techno by dj esp aka woody mc bride

megaphat pounding percussive harder techno !!

mitja prinz stretches the definition of modern tech house with his third and yet strongest release on blaou. the recipe is simple: you mix two handfuls of percussion and a lot of pounding bass in a bowl. add a juicy songline seasoned with a couple of fresh breaks

strong pounding hard techno !!

remixes by dj rush, punding grooves, urban and jim masters

dope uplifting boogie-flavoured deephouse with a subtle afro twist by this jimpster project. beautiful keys, flutes, live bass, chunky beats with warm afro percussion and vocals snippets. the b-side is a pounding, jacking dub somewhere between tom middleton and 20/20 vision.

excellent pounding techno slammer !! / danilo vigorito styled!

vol. s of the legendary compilation series!

la fraicheur finally delivers with a first 9-track album, self-fulfilling prophecy, her first release on the infinŽ label. this remarkably dense, dancefloor-oriented album oscillates between techno, ambient and electronic music, a mesmeric yet pounding effort that gets the body and the mind moving

exzellente 5cd-kollektion des legendŠren dub-kollektivs dub syndicate um roots-radics-drummer lincoln style scott und ausnahmeproduzent adrian sherwood mit seinen ersten vier alben the pounding system- (1982), one way system (1983), north of the river thames (1984, zusammen mit doctor pablo) und -tunes from the missing channel- (1985) mit insgesamt vier zusŠtzlichen bonustracks, sowie auf cd5 neun bislang unveršffentlichten dubs aus der frŸhphase der band, feat. charlie eskimo fox und bim sherman. inklusive eines 24-seitigen booklets mit sleeve notes von steve barker (on the wire).

to celebrate their weekly residency at ushuaia in ibiza, the united ants crew has recruited dj sneak, tapesh and los suruba for a bulky three-disc mix-up. predictably, its us house veteran sneak who steals the show, delivering a disc that flits between his usual pounding, loop-heavy productions, dense african rhythms, sun-kissed, party-friendly deep house, and the latin acid house of apollonia

bonus instrumentals of said vocal tracks what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last nightÕs unmade sheets. appropriately, tin mans melancholic dance music is more club-ready than ever.

following up to their much applauded international debut save the youth, denmarks answer to warpaint,giana factory, return with their second album lemon moon this spring 2014. fronted by louise foo (sister of sharin of the raveonettes) and flanked by lisbet fritze (who also plays guitar in the trentemoller band) and sofie johanne, giana factory specialize in a wonderful kind of iced pop, beautiful songwriting with a lot of depth and diy attitude punch.

slammin dubstep by krafty kuts

the yearly summit of keiji haino, jim o rourke and oren ambarchi continues with imikuzushi, which finds the group extending the power-trio strategies of last years highly praised in a flash everything comes together as one there is no need for a subject (bt05) and bringing to them a newly sustained intensity. for this performance, haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums. the tendency towards driving free-rock which surfaced on moments of the trios last release is cemented here, with o rourkes fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with ambarchis drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time. like all of hainos best work, the trio transcends any rock genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. presented as four unedited excerpts salvaged from an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. francis plagne, melbourne, nov, 2011 released as a 6 panel digipak cd and as a limited edition double lp in a lavish gatefold with printed inner sleeves. design by stephen o malley with high quality live shots by ujin matsuo and stunning images by tokyo based photographer and sound artist shunichiro okad

hier kommt die 2011er compilatoin zum groessten elektronischen festival der schweiz, dass jedes jahr waehrend 3 tagen ueber 20000 besucher an pfingsten ins casino montreux zieht und mit einem weltklasse lineup glaenzt. topstars der elektronischen musik wie david guetta, martin solveig, laurent wolf, remady, dj antoine, avicii, afrojack uvm. geben sich ein stelldichein der extraklasse. die compilation enthaelt die aktuellen titel aus den charts und hits der grossen headliner des festivals. zusammengestellt und gemixt wird erneut von igor blaska.

filterwolf is an acclaimed producer, dj and live act from munich, whose infectious production talents, electric live shows and groundbreaking debut album on london based process recordings released in 2010 have all led to the creation of his stunning new masterpiece: night patterns . his work was remixed by some of the finest artists around the globe such as portable, tigerskin, niederflur and hrdvsion. the consistency of the quality of his musical output was compared by journalists with no less a figure than carl craig. his productions have constantly earned praise and gained many fans for their driving beats, elegant, warm and cheerful synths and blossoming, journey-like arrangements. filterwolf received strong support from zombie nation, john acquaviva, spektre, ivan smagghe, groove armada, slam, dirt crew and coldcut. he was featured on tsugi compilation volume 18 along with gui boratt o, tiga and juan mclean and on huw stephens best new music evening show on bbc radio 1. across his new album, he explores the exciting, timeless space between house, techno, electro and beyond. throughout, he constantly maintains a melodic and emotive core, creating a mesmerizing body of work structured and presented in a highly creative way. the album was mastered by eelke kleijn, prolific producer (manual music, global underground) and mastering engineer from rotterdam, who among others has mastered the works of dubfire and applescal. deep, swinging, handclapping grooves and furious saxophone lines of the opening track color of spring , with their subtle, uplifting, intelligent beauty, signal that this is a master artist at work. as the mood moves towards the deep, pounding intensity of deep data , it s easy to become lost in the swirling music as filterwolf plays with emotion buttons, exploring the depths and whole spectrum of the dance and electronica, rese arching possibilities, forging ahead into the future.